video space space is something in which the movement occurs. the video space is defined by the movement of electronic images and sounds. four television monitors placed on the floor defines a square of images and sounds. video surrounding the human body. this can be taken as a strategy to break the traditional linearity of facing with images, a linearity which is inhereted from the ancient cinematographic apparatus to the televisual one. the linear/uni-directional event of being exposed to the images is replaced by the spatiality of the video. body of the spectator will be able to move with the bodies/blocks of images and sounds in the fragmented video space. fragments and intervals the absence of totality emancipates images and things. “the man w/ the video camera" is a fragmented construction of images and sounds in the video-space. fragmented as life itself. fragmented and unbounded as human memory and imagination. "visibly shattered by the accident happening everyday, forever trying to collect the ruins left after yesterday's crash". in between the blocks of images and sounds there will be intervals connecting these seperate "things" together. organisation of emptiness. making clear passages in between things and events. "The interval is no longer that which seperates a reaction from the action experienced, which measures the incommensurability and unforeseeability of the reaction, but on the contrary, that which -an action being given in a point of the universe - will find the appropriate reaction in some other point, however distant it is ... theory of interval is that it no longer marks a gap which is carved out, a distancing between two consecutive images but, on the contrary, a correlation of two images which are distant (and incommensurable from the point of our human perception)." -Gilles Deleuze . seeing is an act of | aggression |